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The Miami accent is an evolving American English accent or sociolect spoken in South Florida, particularly in Miami-Dade county, originating from central Miami. The Miami accent is most prevalent in American-born Hispanic youth who live in the Greater Miami area.
One phenomenon apparently unique to North American U.S. accents is the irregular behavior of words that in the British English standard, Received Pronunciation, have /ɒrV/ (where V stands for any vowel). Words of this class include, among others: origin, Florida, horrible, quarrel, warren, borrow, tomorrow, sorry, and sorrow.
For example, /æ/ may be generally raised and /ɑ/ generally fronted in comparison to other American English accents. [9] Some speakers exhibit extreme raising of /æ/ before voiced velars (/ɡ/ and /ŋ/), with an up-glide, and so bag sounds close to beg or is even raised like the first syllable of bagel. Other examples are the words flag and ...
A diversity of earlier Southern dialects once existed: a consequence of the mix of English speakers from the British Isles (including largely English and Scots-Irish immigrants) who migrated to the American South in the 17th and 18th centuries, with particular 19th-century elements also borrowed from the London upper class and enslaved African-Americans.
A form of speech known to linguists as General American is perceived by many Americans to be "accent-less", meaning a person who speaks in such a manner does not appear to be from anywhere in particular. The region of the United States that most resembles this is the central Midwest, specifically eastern Nebraska, including Omaha and Lincoln ...
The International Phonetic Alphabet (IPA) can be used to represent sound correspondences among various accents and dialects of the English language. These charts give a diaphoneme for each sound, followed by its realization in different dialects. The symbols for the diaphonemes are given in bold, followed by their most common phonetic values.
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McWhorter argues that what truly unites all AAVE accents is a uniquely wide-ranging intonation pattern or "melody", which characterizes even the most "neutral" or light African-American accent. [29] A handful of multisyllabic words in AAVE differ from General American in their stress placement so that, for example, police , guitar , and Detroit ...