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Ultra HD Blu-ray (4K Ultra HD, UHD-BD, or 4K Blu-ray) [2] [3] is a digital optical disc data storage format that is an enhanced variant of Blu-ray. [4] Ultra HD Blu-ray supports 4K UHD (3840 × 2160 pixel resolution) video at frame rates up to 60 progressive frames per second, [4] encoded using High-Efficiency Video Coding. [4]
Uncompressed video is digital video that either has never been compressed or was generated by decompressing previously compressed digital video. It is commonly used by video cameras, video monitors, video recording devices (including general-purpose computers), and in video processors that perform functions such as image resizing, image rotation, deinterlacing, and text and graphics overlay.
To handle the sensor output of approximately 4 billion pixels per second with a data rate as high as 51.2 Gbit/s, a faster analog-to-digital converter has been developed to process the data from the pixels, and then a high-speed output circuit distributes the resulting digital signals into 96 parallel channels. [52]
Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]
This is a list of Avid DNxHD resolutions, mainly available in multiple HD encoding resolutions based on the frame size and frame rate of the media being encoded. The list below shows the available encoding choices for each of the available frame size and frame rate combinations.
Does not support internal 4K recording, must use an external recorder via HDMI, but see Sony α7S II. Only 1080p is recorded internally. Sony α7S II - Full Frame with internal 4K recording; Sony α7S III; Sony α9 - XAVC S 4K: 3840 x 2160 (30p/25p/24p), 4:2:0 8bit [16] Sony α9 II; Sony α9 III - First full frame mirrorless camera with a ...
The first pixel-shifted 4K UHD projectors adopted by the market are Optoma, BenQ, Dell, et al., for those adopt a 2718×1528 pixel structure. The amount of data these projectors process is true 4K, but they overlap the pixels, which is what pixel shifting is. In fact, each of those pixels is far larger.
Codes 0–3 and 1,020–1,023 are used for the timing reference. Codes 4 through 63 provide video data below the black level while codes 941 through 1,019 provide video data above the nominal peak. [2] 12 bits per sample Rec. 2020 uses video levels where the black level is defined as code 256 and the nominal peak is defined as code 3760.