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Book of rambler and ranch-type homes: designs and floor plans for 31 practical homes, 3rd ed. Home Plan Book Co., 1953. 92 low cost ranch homes, by Richard B. Pollman, Home Planners, Inc., 1955. Ranch homes for today, by Alwin Cassens, Jr., Archway Press, 1956. New modern ranch homes for town or country living, National Plan Service, 1956.
The home was designed in response to the south central prairie's climate and its site of seven acres overlooking a creek. Long horizontal outer walls of understated native sandstone and horizontal bands of windows converge to create a dramatic entry. The Gillin House was featured as Bob Mapplethorpe's house in the 1996 Wes Anderson film Bottle ...
Sears houses could also be ordered with reversed floor plans. While the vast majority of models were for single-family house designs, Sears offered some duplex house designs and even a few larger multiple-family buildings. [16] [17] The most popular models appeared in the catalog for multiple years. Other models only appeared for one year.
However, another brassiere design re-entered the market and grew popularity during the 1950s which even influenced the modern intimate design. Underwire bras were first introduced to the market in the 1930s, however, it was forced to quit the market because the steel supply was restricted in the 1940s for WWII.
The Flying Machine: A One-Act Play for Three Men (1953), by Ray Bradbury; Fools (1981), by Neil Simon; Fortitude (1968), by Kurt Vonnegut; Frankie and Johnny in the Clair de Lune (1982), by Terrence McNally; The Frog Prince (1982), by David Mamet; The Front Page (1928), by Ben Hecht and Charles MacArthur; Fugitive Kind (1937), by Tennessee Williams
Cliff May (1903–1989) [1] was a building designer (he was not licensed as an architect until the last year of his life) practicing in California best known and remembered for developing the suburban Post-war "dream home" (California Ranch House), and the Mid-century Modern
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Kitchen sink realism (or kitchen sink drama) is a British cultural movement that developed in the late 1950s and early 1960s in theatre, art, [1] novels, film and television plays, whose protagonists usually could be described as "angry young men" who were disillusioned with modern society.