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  2. Akai MPK 88 - Wikipedia

    en.wikipedia.org/wiki/Akai_MPK_88

    The AKAI MPK 88 (Music Production Keyboard) is a hammer-action, 88-key MIDI controller keyboard released by Akai in November 2009. [1] It is the only MIDI controller in the MPK series to feature hammer-weighted keys.

  3. Korg M3 - Wikipedia

    en.wikipedia.org/wiki/Korg_M3

    Korg M3 (61 / 73 / 88 key) At the end of Q3 2008, Korg released a major update to the M3's operating system, which changes the unit to the 'M3 XPanded'. [3] This update refines many of the functions of the M3, makes minor changes to the graphic user interface, adds four additional PCM sample libraries including a grand piano (EX-USB-PCM03) library, two brass and woodwind libraries (EX-USB ...

  4. List of Korg products - Wikipedia

    en.wikipedia.org/wiki/List_of_Korg_products

    Korg SP-100: An 88 key velocity sensitive hammer-action simulation keyboard. Weighing just over 40 pounds, the 32-note polyphonic Korg SP-100 is a truly portable (and affordable) answer for the gigging musician. The 88-note hammer action keyboard is velocity sensitive with three selections for touch control: Light, standard and heavy.

  5. Yamaha S90 - Wikipedia

    en.wikipedia.org/wiki/Yamaha_S90

    The S90 provides 88 fully weighted keys, the number equivalent to a standard piano, emulating the pianistic mechanism. [5] The keyboard naturally provides initial touch, but also aftertouch response and has a 64-note polyphony [6] with 16 multitimbral parts providing a maximum of 4 performance parts.

  6. Korg Nautilus - Wikipedia

    en.wikipedia.org/wiki/Korg_Nautilus

    On previous models, keyboards were aftertouch sensitive, and 73-key version used a graded hammer action keyboard. Nautilus AT, released in 2023, has two versions with 61-key synth action and 88-key RH3 graded hammer action; both of them include channel aftertouch. Korg also offers a factory upgrade service for the original Nautilus models.

  7. MIDI controller - Wikipedia

    en.wikipedia.org/wiki/MIDI_controller

    MIDI was designed with keyboards in mind, and any controller that is not a keyboard is considered an "alternative" controller. [1] This was seen as a limitation by composers who were not interested in keyboard-based music, but the standard proved flexible, and MIDI compatibility was introduced to other types of controllers, including guitars ...