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Ferris Bueller's Day Off is a 1986 American teen comedy film written, co-produced, and directed by John Hughes.The film stars Matthew Broderick, Mia Sara, and Alan Ruck, with supporting roles from Jennifer Grey, Jeffrey Jones, Cindy Pickett, Edie McClurg, Lyman Ward, and Charlie Sheen.
Jeffrey Duncan Jones (born September 28, 1946) is an American actor, known for his roles as Emperor Joseph II in Amadeus (1984), Edward R. Rooney in Ferris Bueller's Day Off (1986), Charles Deetz in Beetlejuice (1988), Dr. Skip Tyler in The Hunt for Red October (1990), Eddie Barzoon in The Devil's Advocate (1997), and A.W. Merrick in both Deadwood (2004–2006) and Deadwood: The Movie (2019).
The pointillist masterpiece, which also inspired a musical and was featured in Ferris Bueller's Day Off, Georges Seurat's Sunday Afternoon on La Grande Jatte—1884, is prominently displayed. Additionally, Henri Matisse's Bathers by a River, is an important example of his work.
On "Watch What Happens Live," host Andy Cohen had Matthew Broderick and T.I. reenact the iconic Ferrari scene from Matthew's classic movie, "Ferris Bueller's Day Off" - and the results were legendary.
"Ferris Bueller's Day Off" was released on June 11, 1986. In honor of the iconic cult classic, we looked into what the famous cast is up to today. Catch up with Ferris, Cameron, Sloane -- and even ...
The flick follows Matthew Broderick's Bueller, his best friend Cameron and gorgeous Sloane, played by Mia Sara, as they ditch school for a much-needed break from the weekday grind. Well, as Ferris ...
Following his music career, Edson has worked as an actor, appearing in over 35 movies. His more notable roles include a disreputable parking garage attendant in Ferris Bueller's Day Off (1986), man at newspaper stand in Desperately Seeking Susan (1985), Richie in Howard the Duck (1986), Eddie in Jim Jarmusch's cult film Stranger Than Paradise (1984), real-life gambler Billy Maharg in Eight Men ...
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [5]