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Joseph Stella (born Giuseppe Michele Stella, June 13, 1877 – November 5, 1946) was an Italian-born American Futurist painter best known for his depictions of industrial America, especially his images of the Brooklyn Bridge. He is also associated with the American Precisionist movement of the 1910s–1940s.
Later critics would regard the Brooklyn Bridge as a work of art, as opposed to an engineering feat or a means of transport. [397] Not all critics appreciated the bridge, however. Henry James, writing in the early 20th century, cited the bridge as an ominous symbol of the city's transformation into a "steel-souled machine room". [397] [399]
Brooklyn Bridge is a 1915 painting by the French artist, theorist and writer Albert Gleizes. Brooklyn Bridge was exhibited at the Montross Gallery, New York, 1916 (no. 40) along with works by Jean Crotti, Marcel Duchamp and Jean Metzinger. [1] This is the first in a series of three highly abstract paintings by Gleizes of the Brooklyn Bridge.
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The Battle of the Milvian Bridge (Claude) Beata Beatrix; The Bohemian (Bouguereau) The Bridge (sculpture) The Bridge (M. C. Escher) Bridge (Shachtman) The Bridge at Narni; The Bridge at Villeneuve-la-Garenne; The Bridge in Curve; The Bridge near Wiesen; Brooklyn Bridge (Gleizes) The Burning of the Houses of Lords and Commons
A long-closed plot of land under the Brooklyn Bridge has reopened to the public after 15 years — restoring another slice of greenspace for one of the city’s most crowded neighborhoods.
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