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Sonya Clark (born 1967, Washington, D.C.) [1] is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history. [2]
Textile arts and fiber arts include fabric that is flexible woven material, as well as felt, bark cloth, knitting, embroidery, [1] featherwork, skin-sewing, beadwork, and similar media. Textile arts are one of the earliest known industries. [1] Basketry is associated with textile arts. [2]
Hairstring is an important textile traditionally made by Aboriginal Australians. People, particularly women, would cut their hair regularly using quartz or flint knives. This hair is never wasted. It can be spun into long threads of yarn on a spindle rolled on the thigh and then plaited to about the thickness of 8 ply wool.
Sheila Hicks at the Musée Carnavalet, Paris, 2016. Photograph by Cristobal Zanartu. From 1959 to 1964 she resided and worked in Mexico; She moved to Taxco el Viejo, Mexico [7] where she began weaving, painting, and teaching at the National Autonomous University of Mexico (UNAM) at the invitation of Mathias Goeritz who also introduced her to the architects Luis Barragán and Ricardo Legorreta ...
Elaborate, brightly woven tapestries of vicuña, llama, human hair textiles were found at the Cavernas archeological dig-site of Paracas, Peru, in 1925, by Julio C. Tello. [11] These haircloths are believed to be devotional artefacts carbon dated to approximately 200 B.C. E to 100C.E.. [ 11 ]
Anne Wilson, A Chronicle of Days, 1997-98.Collection 21st Century Museum of Contemporary Art, Kanazawa, Japan. Anne Wilson was born in Detroit, Michigan in 1949. At 15, she attended George School, a Quaker boarding school in Pennsylvania, where she received training in feminist theory and the philosophies of passive resistance through the study of Gandhi's teachings on non-violent politics.
Olga de Amaral (born 1932 [1]) is a Colombian textile and visual artist known for her large-scale abstract works made with fibers and covered in gold and/or silver leaf. . Because of her ability to reconcile local concerns with international developments, de Amaral became one of the few artists from South America to become internationally known for her work in fiber during the 1960s and ‘7
The project encompassed six locations. textile installation inside the community centre: 394 Rue Main, Hudson, QC outside sculpture corner of Chemin des Cheneaux, and Boul. De La Cité-Des-Jeunes, Vaudreuil-Dorion, QC, textile installation inside the town hall, 44 Rue de l'Église, Vaudreuil-sur-le-Lac, QC textile installation inside the ...