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Berlin–Munich Reichsautobahn, today's A9, southeast of Dessau, photographed in 1939.The oaks were intentionally retained in the median. Reichsautobahn car plaque. The Reichsautobahn system was the beginning of the German autobahns under Nazi Germany.
Piano Duo Liva-Stregapede: They play unusual repertoire such as Saint-Saëns' 2-piano arrangement of Liszt's Sonata in B minor, and Shostakovich's arrangement of Honegger's Symphony No. 3; performed world premieres of works by Ástor Piazzolla, unpublished versions for 2 pianos and a version for piano duo by Casella of Beethoven's 9 symphonies ...
First the player piano (c. 1900), then the home phonograph (which became common in the decade before World War I), then the radio (in the 1920s) dealt severe blows to amateur piano-playing as a form of domestic recreation. During the Great Depression of the 1930s, piano sales dropped sharply, and many manufacturers went out of business.
Pages in category "1930s photographs" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. B.
Cora Stell Andersen (1897–1989), also known as Cora Andersen, was an international concert pianist who toured during the 1920s with Silvio Scionti performing piano duos. In the 1930s and 1940s, she toured as a solo pianist and was the only American soloist invited to perform at the 1937 Paris Exposition.
Two of Britain's most famous female vocalists were with his orchestra in the 1930s: Vera Lynn and Welsh songstress Dorothy Squires. His best known crooner was George Barclay. Kunz was the pianist in a dance band which was led by the drummer, Ed Krick. The band came to London in 1922 to play a residency in the London Trocadero. The band returned ...
Krazy Kat and the piano finally reach the destination, where he discovers that the recipient of the piano is his girlfriend, an unnamed spaniel. She celebrates by playing the still-dangling piano and singing the song "That's My Weakness Now". Krazy Kat and his girlfriend dance on the balcony but forget where they are, and they fall off the balcony.
While studying with Mark Hambourg, Moore earned money as an accompanist. The director of the Guildhall School of Music, Landon Ronald, heard him play at a recital and advised him to pursue a career as an accompanist. [9] He toured as accompanist for the singer Vladimir Rosing along with pianist Myra Hess in the north of England in late 1922. [10]