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Simple English; کوردی; Svenska ... Special pages; Permanent link; ... Films set in Isfahan (3 P) K. Films set in Kurdistan (9 P) P. Films about prostitution in ...
Made in 1999, the film reflects the patriarchal society of Iran after the Islamic Republic when men would shape and limit all aspects of a woman’s life such as her education, career, lifestyle, goals, and marriage. Unlike previous films in the cinema of Iran, the leading character of Two Women (Do Zan) is a lady naming Fereshteh which means ...
It was a return to the type of film Wanger had previously made such as Arabian Nights (1942). [3] Allied Artists had been shut down for three months but re-opened again with a slate of ten films starting with Hajji Baba. Elaine Stewart and Don Weis were borrowed from MGM. Filming started 12 April 1954. [4]
A Time for Drunken Horses (Kurdish: Dema hespên serxweş; [1] [2] Persian: زمانی برای مستی اسبها, Zamāni barāy-e masti-e asbhā) is a 2000 Kurdish language drama film directed by Bahman Ghobadi and produced in Iran.
Sepanta would go on to direct movies such as Ferdowsi (the life story of the most celebrated epic poet of Iran), Shirin and Farhad (a classic Iranian love story), and Black Eyes (the story of Nader Shah's invasion of India). In 1937, he directed Laili and Majnoon, an Eastern love story similar to the English story of Romeo and Juliet.
Shameless (Louis C.K. special) Shane Gillis: Beautiful Dogs; Sick and Tired (2006) Sincerely Louis CK; So F**king Rock Live; Stand Out: An LGBTQ+ Celebration; Stand-Up Confidential; Standup Comedian; Stark Raving Black; Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life; Sticks & Stones (2019 film)
Isfahan (here depicted from the north-to-south direction), as the capital of Iran, was the ultimate objective of Nader's campaign for the liberation of Iran from Hotaki rule. Nader liberated Isfahan and soon after received Tahmasp II outside the main city gates where the Shah expressed his gratitude to Nader.
Bayat-e Esfahan (Persian: بیات اصفهان) is one of melodic pieces of Iranian traditional music, known as a branch of Dastgah-e Shur or Dastgah-e Homayun. Some musical theorists consider the Bayat-e Esfahan an independent dastgah within the Persian radif system.