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The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Oni Mask [44] is a story where a young girl goes off to work at a ladies' house to make money for her ailing mother. She talks to a mask of her mother's face once she is done with her work to comfort herself. One day, the curious coworkers see the mask and decide to prank her by putting on an oni mask to replace the mother's mask.
A Noh mask depicting a jealous female demon, characterized by its horns, metallic eyes, and fearsome expression. Used in plays about transformed women. Harukoma by Utagawa Kunisada, 1862 Harukoma A traditional Japanese dance (春駒, "spring horse") where performers use handheld horse-head props to depict playful horses. Hatsubutai
Kabuto (兜, 冑) is a type of helmet first used by ancient Japanese warriors that, in later periods, became an important part of the traditional Japanese armour worn by the samurai class and their retainers in feudal Japan. Note that in the Japanese language, the word kabuto is an appellative, not a type description, and can refer to any ...
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail. Koto-furunushi
Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll [10] and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the ...
The severed head was still alive and snapped its jaws, aiming at Raikō's head, but the warrior defended himself by wearing two of his men's helmets in addition to his own. The group returned triumphant to Kyoto with the head, which was laid to rest in the Uji no hōzō (Treasure House of Uji) at Byōdō-in temple. [19] [17] [20]
Bidou Yamaguchi (山口 毘堂, Yamaguchi Bidō), a master Noh mask carver in the Hōshō tradition, was born Yamaguchi Hiroki on February 28, 1970, in Fukuoka, Fukuoka, on the island of Kyūshū in Japan. As an outstanding figure in the younger generation, Bidou illustrates how this ancient Japanese art is being both perpetuated and renewed.