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Pages in category "Operas based on the Bible" The following 40 pages are in this category, out of 40 total. This list may not reflect recent changes. B.
Esther is an American opera in 3 acts composed by Hugo Weisgall, with a libretto by Charles Kondek. Esther was premiered by the New York City Opera in October 1993. The opera is about Esther's struggle as she becomes the queen of Persia, and her heroic triumph over the evil Prime Minister Haman and his plot of exterminating the Jews.
Dèbora e Jaéle (Deborah and Jael) is an opera in three acts composed by Ildebrando Pizzetti who also wrote the libretto. The libretto is based on the story of Deborah and Jael from the Book of Judges in the Bible. However, it differs in several ways from the traditional Biblical account, primarily in the motivations of its characters and the ...
David et Jonathas (David and Jonathan), H.490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by Father François Bretonneau, is based on the Old Testament story of the friendship between David and Jonathan.
The Gospel According to the Other Mary is an opera-oratorio by the American composer John Adams.The world premiere took place on May 31, 2012, at the Walt Disney Concert Hall in Los Angeles with Gustavo Dudamel conducting the Los Angeles Philharmonic [1] who also premiered the staged version on March 7, 2013, at the same venue.
Alexander the Great who appears as a character in over seventy operas, including two by George Frideric Handel. This is a list of historical figures who have been characters in opera or operetta. Historical accuracy in such works has often been subject to the imperatives of dramatic presentation. Consequently, in many cases:
Samson and Delilah (French: Samson et Dalila), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire.It was first performed in Weimar at the Grossherzogliches (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation.
Esther began in 1718 as a masque, or chamber drama (HWV 50a), composed early in Handel's English career, and before the body of his success as an opera composer.It was first composed and performed at Cannons, where the Duke of Chandos employed Handel from 1716 - 1718 as resident composer writing for his patron's singers and small orchestra.