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Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
Brownhills alphabet plate, Aesop's Fables series, The Fox and the Grapes c. 1880. Sharpe's limerick versions of Aesop's fables appeared in 1887. This was in a magnificently hand-produced Arts and Crafts Movement edition, The Baby's Own Aesop: being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. [94]
Aesop (/ ˈ iː s ɒ p / EE-sop or / ˈ eɪ s ɒ p / AY-sop; Greek: Αἴσωπος, Aísōpos; formerly rendered as Æsop) is an almost certainly legendary Greek fabulist and storyteller, said to have lived c. 620–564 BCE, and credited with a number of fables now collectively known as Aesop's Fables.
Aesop's Fables (previously titled Aesop's Film Fables and Aesop's Sound Fables) is a series of animated short subjects, created by American cartoonist Paul Terry. [1] Produced from 1921 to 1934, the series includes The Window Washers (1925), Scrambled Eggs (1926), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930).
Children's literature portal; Media related to The miller, his son and the donkey at Wikimedia Commons s:The Miller, His Son, and Their Ass, the Aesop's fable translated by George Fyler Townsend (1887) from Three Hundred Æsop's Fables
In the 1912 edition of Aesop's Fables, Arthur Rackham chose to picture the carefree frogs at play on their King Log, a much rarer subject among illustrators. [13] But the French artist Benjamin Rabier, having already illustrated a collection of La Fontaine's fables, subverted the whole subject in a later picture, Le Toboggan ('The sleigh-run ...
David Edgar Walther prefers the term 'short operatic drama' for his Aesop's Fables (2009), a 12-minute cycle with libretto by the composer in which "The Fox and The Raven" appears as the first of three pieces. The fable was also choreographed by Dominique Hervieu in 2003 for Annie Sellem's composite ballet project, Les Fables à la Fontaine. In ...
In addition there was an English-language version set by Bob Chilcott as the fourth in his Aesop's Fables for piano and choir (2008); [54] [55] and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title An Evening with Aesop in 2013. [56] [57]