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Andante: walking: At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower ...
andante At a walking pace (i.e. at a moderate tempo) andantino Slightly faster than andante (but earlier it is sometimes used to mean slightly slower than andante) ängstlich (Ger.) Anxiously anima Soul; con anima: with feeling animandosi Progressively more animated animato Animated, lively antiphon
Maestoso also is associated with the advent of Classicism, Romanticism, and the newer forms of neo-classicism and neo-romanticism. The interpretation of maestoso is varied by the conductor depending upon the overall style in which the piece is written. Used as more of an interpretive choice, this term is not always associated with a specific ...
Andante maestoso – Allegro assai [Andante] Menuetto [Allegro] Menuetto [Andante] Menuetto; Prestissimo; The March in D, K. 237/189c, was used as an introduction or exit for this work. [1] The second, third and fourth movements all feature the solo violin prominently, forming a three-movement violin concerto within the serenade.
Allegro maestoso; in common time. The tempo marking is in Mozart's catalog of his own works, but not in the autograph manuscript. [3] Andante in F major. In both the autograph score and in his personal catalog, Mozart notated the meter as alla breve. [3] Allegro vivace assai
The second movement, with the tempo marked Andante, is a Romanze in the subdominant key of C major. It is in rondo form, taking the shape A–B–A–C–A plus a final coda. The keys of the sections are C major for A and B, C minor for C. The middle appearance of A is truncated, consisting of only the first half of the theme.
The Symphony No. 4 in F major, Op. 86 by Louis Spohr has the title "Die Weihe der Töne," meaning "The Consecration of Sound," and is a programmatic work based on the poem of the same name by Carl Pfeiffer. [1] It was composed in 1832 and published in 1834. [2]
Note that some editions of the score display a molto ritenuto just before the andante maestoso, while others do not. Both version can be heard till today, without it being possible to know what Liszt would have wanted. 1b. Andante Maestoso ("Les Astres") Mm.35-46 Example 2: Three main elements of the Andante maestoso.