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The Gero Cross. The Gero Cross or Gero Crucifix (German: Gero-Kreuz), of around 965–970, is the oldest large sculpture of the crucified Christ north of the Alps, and has always been displayed in Cologne Cathedral in Germany. It was commissioned by Gero, Archbishop of Cologne, who died in 976, thus providing a terminus ante quem for the work
Gero (c. 900 – 29 June 976) was Archbishop of Cologne from 969 until his death. Tomb of Archbishop Gero at the Cologne Cathedral (centre, next to the wooden kneelers) Gero originated from Saxony , probably a son of the Billung count Christian (d. 950), who ruled in the Eastphalian Nordthüringgau and Schwabengau as well as over the adjacent ...
Near the sacristy is the Gero Crucifix, [65] a large crucifix carved in oak and with traces of paint and gilding. Believed to have been commissioned around 960 for Archbishop Gero, it is the oldest large crucifix north of the Alps and the earliest-known large free-standing Northern sculpture of the medieval period. [66] [page needed]
The Alexamenos graffito. The Alexamenos graffito (known also as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffito scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2]
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Coronation of the Virgin by Enguerrand Quarton (1453-54), with Christ and God the Father as identical figures, as specified by the cleric who commissioned the work. Guido Reni's Archangel Michael tramples Satan (c. 1636, in the Capuchin church of Santa Maria della Concezione, Rome). Catholic art is art produced by or for members of the Catholic ...
The cross is an outstanding and moving example of the Crucifixion of Jesus, closely related to the slightly earlier life-size wooden Gero Cross in Cologne, which was a crucial work in developing the Western image of the dead crucified Christ, whose head is slumped to his shoulder, and whose sagging body forms a S shape, showing the marks of his ...
The representation of Jesus himself on the cross is referred to in English as the corpus (Latin for 'body'). [1] [2] The crucifix emphasizes Jesus' sacrifice, including his death by crucifixion, which Christians believe brought about the redemption of mankind. Most crucifixes portray Jesus on a Latin cross, rather than a Tau cross or a Coptic ...