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The Gero Cross. The Gero Cross or Gero Crucifix (German: Gero-Kreuz), of around 965–970, is the oldest large sculpture of the crucified Christ north of the Alps, and has always been displayed in Cologne Cathedral in Germany. It was commissioned by Gero, Archbishop of Cologne, who died in 976, thus providing a terminus ante quem for the work
Gero (c. 900 – 29 June 976) was Archbishop of Cologne from 969 until his death. Tomb of Archbishop Gero at the Cologne Cathedral (centre, next to the wooden kneelers) Gero originated from Saxony , probably a son of the Billung count Christian (d. 950), who ruled in the Eastphalian Nordthüringgau and Schwabengau as well as over the adjacent ...
Near the sacristy is the Gero Crucifix, [65] a large crucifix carved in oak and with traces of paint and gilding. Believed to have been commissioned around 960 for Archbishop Gero, it is the oldest large crucifix north of the Alps and the earliest-known large free-standing Northern sculpture of the medieval period. [66] [page needed]
The best-known surviving large sculptural work of Proto-Romanesque Europe is the life-size wooden Crucifix commissioned by Archbishop Gero of Cologne in about 960–965, apparently the prototype of what became a popular form.
The Batlló Majesty (Catalan: Majestat Batlló, pronounced [məʒəsˈtad bəˈʎːo]) is a large 12th-century Romanesque wooden crucifix, now in the National Art Museum of Catalonia in Barcelona, Spain. It is one of the most elaborate examples in Catalonia of an image of Christ on the Cross, symbolizing his triumph over death.
The Gero Cross of about 960 (frame later). Main articles: Romanesque art and Romanesque architecture Romanesque art , long preceded by the Pre-Romanesque , developed in Western Europe from approximately 1000 AD until the rise of the Gothic style.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Silver monster on a chape, Scottish or Anglo-Saxon, St Ninian's Isle Treasure, c. 800 The Gero Cross, c. 965–970, Cologne, Germany, the first great example of the revival of large sculpture The Early Christians were opposed to monumental religious sculpture, though Roman traditions continued in portrait busts and sarcophagus reliefs, as well ...