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In its sixth week on the Billboard Hot 100, "Midnight Blue" entered the Top 40 at #40 on the chart dated 14 June 1975, with the track ranked at #2 on that week's Billboard Easy Listening chart: "Midnight Blue" would spend the weeks of 21–28 June at #1 on the Billboard Easy Listening chart - eventually being cited as the #1 Easy Listening hit ...
Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
"Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.
Bassist Kojo Ferguson toured with the band in support of Love Crazy, appearing in the video for "Midnight Blues". Nazeem Lakay soon replaced Dickie on bass. Nazeem Lakay soon replaced Dickie on bass. The following year, Springer was invited to play guitar on David Bowie 's album Black Tie White Noise .
"Blue Notes 2" is a sequel to "Blue Notes", which was released as a part of Meek's eleventh mixtape, DC4 (2016) and samples Snowy White's track, "Midnight Blues". On the guitar-heavy instrumental, Meek is seen "delivering rapid-fire bars" with Uzi on the bridge and the song's fourth and final verse. [1]
Lil' Ed and the Blues Imperials have appeared multiple times at the Chicago Blues Festival and festivals and clubs around the world. In June 2008, Williams played on three tracks on Magic Slim & the Teardrops's album Midnight Blues. [6] In June 2009, Williams was a guest on the radio quiz show Wait Wait...
Standard Time, Vol. 5: The Midnight Blues is an album by Wynton Marsalis that was released in 1998. [ 1 ] [ 2 ] The album reached a peak position of number 1 on Billboard 's Top Jazz Albums chart. [ 3 ]
[1] [2] First releases on the Decca label were on the B-side of 10-inch shellack singles, where the song was coupled with either "Blow-Top Blues", composed by Leonard Feather and played by the Hampton Sextet with "lovely" [3] vocals by Sarah Vaughan (Decca 28059), or "Three Minutes on 52nd Street", [4] another Hampton original recorded with the ...