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Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2 4, as it is written in ...
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Even as late as 2000, in Mark Gridley's Jazz Styles: History and Analysis, a bossa nova bass line is referred to as a "Latin bass figure". [166] It was not uncommon during the 1960s and 1970s to hear a conga playing a Cuban tumbao while the drumset and bass played a Brazilian bossa nova pattern. Many jazz standards such as "Manteca", "On Green ...
[3]: xxii It has a bossa nova feel and features a bass ostinato. [3]: xxii "It contains only four chords: Fm 9 - E ♭ 9 - D ♭ 9 - C 9. The piece uses even eighth notes throughout, not swing eighths." [4] In his biography, Silver describes composing the song while attempting to use the bossa nova rhythm he had observed in Brazil. [5]
Buddy Bolden, the first known jazz musician, is credited with creating the big four, a habanera-based pattern. The big four (below) was the first syncopated bass drum pattern to deviate from the standard on-the-beat march. [12] As the example below shows, the second half of the big four pattern is the habanera rhythm.
The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. The first eight measures consist of D, followed by four measures of G, and then four measures of D.
Pages in category "Bossa nova jazz standards" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. B. Blue Bossa; D.