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Rights of Man (1791), a book by Thomas Paine, including 31 articles, posits that popular political revolution is permissible when a government does not safeguard the natural rights of its people. Using these points as a base it defends the French Revolution against Edmund Burke 's attack in Reflections on the Revolution in France (1790).
In 1987, Richard Thomas appeared on stage in Philadelphia and Washington, DC, in the one-man play Citizen Tom Paine (an adaptation of Howard Fast's 1943 novel of the same title), playing Paine "like a star-spangled tiger, ferocious about freedom and ready to savage anyone who stands in his way," in a staging of the play in the bicentennial year ...
Thomas Paine's "Rights of Man": A Biography is Christopher Hitchens's contribution to the Books That Changed the World series. Hitchens, a great admirer of Thomas Paine, covers the history of Paine's 1791 book, The Rights of Man, and analyzes its significance. [1]
Thomas Paine, the defendant. The trial of Thomas Paine for seditious libel was held on 18 December 1792 in response to his publication of the second part of the Rights of Man. The government of William Pitt, worried by the possibility that the French Revolution might spread to England, had begun suppressing works that espoused radical philosophies.
― Thomas Paine “All the great things are simple, and many can be expressed in a single word: freedom, justice, honor, duty, mercy, hope.” ― Winston Churchill
Thomas Paine. Thomas Paine (1731–1809) further elaborated on natural rights in his influential work Rights of Man (1791), [54] emphasizing that rights cannot be granted by any charter because this would legally imply they can also be revoked and under such circumstances, they would be reduced to privileges:
Thomas Paine. Thomas Paine (United Kingdom/United States, 1737–1809) was a Founding Father, political activist, philosopher, political theorist, and revolutionary. His ideas reflected Enlightenment-era ideals of human rights.
The Crisis series appeared in a range of publication formats, sometimes (as in the first four) as stand-alone pamphlets and sometimes in one or more newspapers. [9] In several cases, too, Paine addressed his writing to a particular audience, while in other cases he left his addressee unstated, writing implicitly to the American public (who were, of course, his actually intended audience at all ...