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"Witch Doctor" is a 1958 American novelty song written and recorded by Ross Bagdasarian (under the stage name of David Seville). Bagdasarian sang the song, varying the tape speeds to produce a high-pitched voice for the titular witch doctor; [1] [2] this technique was later used in his next song, "The Bird on My Head", [3] [4] [5] and for the creation of the voices of his virtual band Alvin ...
Like Seville's first novelty song, "Witch Doctor", the song has a sped-up voice (albeit slightly slower than the one Seville used for "Witch Doctor"). Although both songs have the same sped-up voices, "The Bird on My Head" did not achieve the success of its predecessor, peaking at No. 34.
Ross S. Bagdasarian [a] (/ b æ ɡ d ə ˈ s ɛər i ə n /; January 27, 1919 – January 16, 1972), known professionally by his stage name David "Dave" Seville, [3] was an American singer, songwriter, record producer, and actor best known for creating the cartoon band Alvin and the Chipmunks.
Their most notable single to date is their cover version of Ross Bagdasarian's novelty song "Witch Doctor", which reached No. 2 in the UK Singles Chart. [1] It features a combination of the original's "oo-ee-oo-ah-ah, ting-tang, walla-walla, bing-bang" chorus (albeit lacking the record's double-speed playback of the chorus), driving dance beat ...
Toonage is the first album by the Danish band Cartoons, released on 24 September 1998.The album includes the group's biggest hit, "Witch Doctor", a cover version of Ross Bagdasarian's novelty song from 1958, which reached number 2 on the UK Singles Chart.
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Lang was born in Halifax, England, on 19 January 1925. [2] He and his band appeared on Six-Five Special, the first BBC Television show for teenagers, from 1957. [2] In 1958, his cover version of "Witch Doctor" reached the top 10 of the UK Singles Chart. [3]
"I'm Your Witchdoctor" is a 1965 single by John Mayall & the Bluesbreakers composed by Mayall, produced by Jimmy Page, and issued on the Immediate label.The exact date or London studio for the recording session has not been determined, but in all likelihood it was recorded at IBC Studios in August 1965 after Page was appointed house producer at Immediate Records. [1]