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In 1954, negotiations began between the Bank of Toronto and the Dominion Bank, and by the end of the year, an amalgamation agreement was reached. In their brief to the Minister of Finance, the banks stated: “It is more burdensome for a small bank to keep pace with the development of our country than for a large bank, with the result that the effective growth and comparative influence of ...
The following citation must be used when exhibiting or publishing this image: City of Toronto Archives, Globe and Mail fonds, Fonds 1266, Item 19180. Short title Dominion Bank hold-up, exterior of building.
The Shortening Winter's Day is near a Close; Skaters in the Bois de Boulogne; Sledging on the Neva; Snow at Argenteuil; Snow Storm: Hannibal and his Army Crossing the Alps; Snow Storm: Steam-Boat off a Harbour's Mouth; A Sorcerer Comes to a Peasant Wedding; Stalingrad (painting) Stetind in Fog; Suvorov crossing the Alps
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Surikov also created watercolor studies for the painting Taking a Snow Town, among them Portrait of Alexander Nikolayevich Pestunov (1890, 19.1×14 cm, State Tretyakov Gallery, formerly in the Tsvetkovskaya Gallery), [104] [82] Head of a Boyaryshnitsa (1890, 19.5×14 cm, Tula Regional Art Museum) [105] [106] and Winter Hats (or simply "Hats ...
Józef Chełmoński: Partridges in the snow, 1891 Richard von Drasche-Wartinberg: In Deep Winter. The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious.
George Henry Durrie self-portrait, 1843 [1]. George Henry Durrie (June 6, 1820 – October 15, 1863) was an American landscape artist noted especially for his rural winter snow scenes, which became very popular after they were reproduced as lithographic prints by Currier and Ives.
Lambert's was involved in the construction of the Toronto Dominion Centre.He viewed it as a tangible statement of the bank's position in the forefront of industry. After rejecting a number of design proposals, Lambert turned to the German/American architect Mies van der Rohe to develop a plan for a complex of buildings that would revolutionize the Toronto landscape.