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Later in his oeuvre, Pine Trees in Snow, executed in 1773 for the wealthy Mitsui family, is realistic despite being in the Japanese idiom of ink on a gold background. The two six-panel screens show tree bark and pine needles separated by differing brush strokes, and the white snow seems to weigh down the branches. [ 16 ]
Mahamayuri (Sanskrit: महामायूरी Mahāmāyūrī ("great peacock"), Chinese: 孔雀明王 Kǒngquè Míngwáng, Vietnamese: Khổng Tước Minh Vương, Japanese: 孔雀明王, romanized: Kujaku Myōō, Korean: 공작명왕 Gongjak Myeongwang), or Mahāmāyūrī Vidyārājñī is a bodhisattva and female Wisdom King in Mahayana and Vajrayana Buddhism.
Itō Jakuchū (伊藤 若冲, 2 March 1716 – 27 October 1800) [1] was a Japanese painter of the mid-Edo period when Japan had isolated itself from the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds.
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
Japanese art has also been influenced by the increasing role of the nation's mass-culture art in global pop culture. Manga, anime, video games, mass market movies and associated cultural products have continued to become larger and more influential within the world of Japanese art since the 1970s, and themes expressed in these works have often ...
Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
Artistic Japan was a magazine of Japanese art, published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French, English, and German editions and contributed to a revival of Japonism .
Sō Shiseki (宋 紫石, 1715 – 9 April 1786 [1]) was a Japanese painter of the Nagasaki and Nanpin schools. Originally from Edo, he spent some time in Nagasaki, where he studied under the Chinese painter Song Ziyan, who was known as Sō Shigan in Japanese. The name Sō Shiseki is an art-name, derived from an imitation of his master's name. [2]