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Mahishasuramardhini Mandapa (Cave Temple; also known as Yampuri) [1] is an example of Indian rock-cut architecture dating from the late 7th century, of the Pallava dynasty. It is a rock-cut cave temple located on a hill, near a lighthouse, along with other caves in Mamallapuram .
The Mahishasuramardini cave, also known as the Mahishamardini mandapa, is found at the southern end of the site (known locally as Yamapuri). Excavated on the eastern scarp of a boulder on the main Mamallapuram hill, above it are the ruins of the Olakkannesvara temple. [95]
Olakkannesvara Temple is located in Mahabalipuram town. Facing east, the temple is accessed only be a series of cut steps on exposed rock. It is situated on the top of a hill, above the Mahishasuramardini mandapa near the modern lighthouse.
Mahishasuramardini Durga lion shrine. A monolith sculpture of a partly carved and partly sculpted lion with a hole in its torso is erected within the compound wall of the temple complex. A miniature image of Durga is sculpted on the back of the image, which is a depiction of Durga as Mahishasuramardini. The open mouth of the lion is inferred as ...
Varaha Cave Temple (i.e., Varaha Mandapa or the Adivaraha Cave [1]) is a rock-cut cave temple located at Mamallapuram, on the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. It is part of the hill top village, which is 4 kilometres (2.5 mi) to the north of the main Mahabalipurm sites of rathas and the Shore ...
Durga slaying Mahishasura is a prominent theme which was sculpted in various caves and temples across India. Some of the prominent representations are seen at the Mahishasuramardini caves in Mahabalipuram, the Ellora Caves, in the entrance of Rani ki vav, [14] Hoysaleswara Temple in Halebidu and many more temples across India.
Mahishasuramardini mandapa - New enough, long enough, well-referenced. Hook ref verified. A few notes: The paragraph under Layout closely follows the source line by line. The paragraphs under Architecture also follow the sources line by line, with a bit of close paraphrasing in the descriptions.
The mandapa or pavilions and the rathas or shrines shaped as temple chariots are hewn from the granite rock face, while the famed Shore Temple, erected half a century later, is built from dressed stone. What makes Mahabalipuram so culturally resonant are the influences it absorbs and disseminates.