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Pamela Suzette Grier (born May 26, 1949) is an American actress, singer, and martial artist. Described by Quentin Tarantino as cinema's first female action star, [ 2 ] she achieved fame for her starring roles in a string of 1970s action , blaxploitation and women-in-prison films for American International Pictures and New World Pictures .
Pam Grier was excited to make the film as it involved a trip to Italy and she had enjoyed working with Markov. [4] The movie was the first feature directed by Steve Carver, who worked in post production at New World. Carver recalled " The script had several scenes in which the girls were undressed—one of Roger’s prerequisites.
Black Mama White Mama, also known as Women in Chains (US reissue title), Hot, Hard and Mean (original 1974 UK title) and Chained Women (1977 UK reissue title), is a 1973 women in prison film directed by Eddie Romero and starring Pam Grier and Margaret Markov.
Hit Man is a 1972 American crime film directed by George Armitage [2] and starring Bernie Casey, Pam Grier and Lisa Moore. [3] It is a blaxploitation-themed adaptation of Ted Lewis' 1970 novel Jack's Return Home, more famously adapted as Get Carter (1971), with the action relocated from England to the United States.
Pam Grier shouldn't have to be told that she's a game changer. ... As the ’80s dawned, Grier explored career paths beyond movies, alternating stage and TV roles with a burgeoning interest in ...
Drum has been born to a white prostitute, who raises him with her black lesbian lover. Drum grows up to be a fighter and is often forced to bare-knuckle-box other slaves to the brink of death for the entertainment of the owners, one of whom is a gay Frenchman named Bernard DeMarigny.
The Big Bird Cage is a 1972 American exploitation film of the "women in prison" subgenre. [1] It serves as a non-sequel follow-up to the 1971 film The Big Doll House.The film was written and directed by Jack Hill, and stars Pam Grier, Sid Haig, Anitra Ford, and Carol Speed.
Roger Ebert gave the film 1.5 stars out of 4 and expressed his wish to see Pam Grier's "screen personality used in a better-directed film with more ambition." [2] Vincent Canby of The New York Times called the film "a moderately entertaining B picture in the mode of 'Foxy Brown' and 'Coffy,' though somewhat less violent."