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Keith Noel Emerson (2 November 1944 – 11 March 2016) was an English keyboardist, songwriter, composer and record producer. He played keyboards in a number of bands before finding his first commercial success with the Nice in the late 1960s. [1]
The Denial of Saint Peter by Caravaggio Flemish painting: Denial of Saint Peter by Gerard Seghers The Denial of St Peter by Gerard van Honthorst (1622–24). The prediction, made by Jesus during the Last Supper that Peter would deny and disown him, appears in the Gospel of Matthew 26:33–35, the Gospel of Mark 14:29–31, the Gospel of Luke 22:33–34 and the Gospel of John 13:36–38.
Jimmy Durante recorded a humorous song called "I'm the Guy Who Found the Lost Chord", which he also sings in the 1947 film This Time for Keeps. [18] George and Ira Gershwin wrote a song called "That Lost Barber Shop Chord", which was included in their 1926 revue Americana. [19] The Moody Blues produced an album called In Search of the Lost Chord in
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Hargus Melvin Robbins (January 18, 1938 – January 30, 2022), known by his nickname "Pig", was an American session keyboard player.He played on records for many artists, including Patsy Cline, Dolly Parton, Connie Smith, Patti Page, Loretta Lynn, The Everly Brothers, Kenny Rogers, George Jones, Charlie Rich, Bob Dylan, Neil Young, J.J. Cale, John Hartford, John Stewart, Mark Knopfler, Alan ...
The Gospel of Marcion, called by its adherents the Gospel of the Lord, or more commonly the Gospel, was a text used by the mid-2nd-century Christian teacher Marcion of Sinope to the exclusion of the other gospels.
Le Sony'r Ra [2] (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances.
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]