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Hung's style of filmmaking is expressed through the claim: "Art is the truth wearing a mask". [ 22 ] [ 23 ] He denies the conventional story-telling style and pursues making films with a new language: "to challenge the audiences' feelings, making them enjoy the films not with the critical reasoning but the language of the body".
Sơn Tinh – Thủy Tinh (The Mountain God vs.The Lord of the Waters) is a Vietnamese myth.It explains the practice of tidal irrigation and devastating floods in Vietnam as a result of monsoon—a seasonal prevailing wind in the region of South and Southeast Asia, blowing from the southwest between May and September and bringing rain (the wet monsoon), or from the northeast between October ...
The Vertical Ray of the Sun (Vietnamese: Mùa hè chiều thẳng đứng, French: À la verticale de l'été) is the third feature film by Vietnamese-born French director Trần Anh Hùng. It was released in 2000 and is the final part of what many now consider to be Tran's "Vietnam trilogy."
This story incorporates the themes of modern wuxia (Chinese martial arts).. In the world of martial arts, there have been legends of many powerful warriors. The strongest to ever walk the Earth are West Side Principal, Chou Da Tong, Tian Shan Tong Lao, and the villain Dongfang Bu Bai, who engaged in a sex change in order to enhance his martial arts skills.
Cyclo (Vietnamese: Xích Lô [sɨt̚˦˥ lo˧˧]) is a 1995 film by Tran Anh Hung.It stars Lê Văn Lộc, Tony Leung Chiu Wai and Trần Nữ Yên Khê.The film is about the hard lives of the labor force in early 1990s Ho Chi Minh City, and how people come under the influence of crime.
Nguyễn Nhật Ánh (born May 7, 1955 [1] [2]) is a Vietnamese author who writes for teenagers and adults.He also works as a teacher, poet and correspondent. His works include approximately 30 novels, 4 essays, 2 series and some collections of poems.
Mẫu Thượng Ngàn in a costume of the Lê dynasty (a painting by a modern artist). Lâm Cung Thánh Mẫu (Chữ Hán: 林宮聖母) or Mẫu Thượng Ngàn or Bà Chúa Thượng Ngàn (Princess of the Forest) is ruler of the Forest Palace among the spirits of the Four Palaces in Vietnamese indigenous religion. [1]
Thiền uyển tập anh has a follow-up to the story: In the Early Lê dynasty, Buddhist monk Khuông Việt travelled to Vệ Linh mountain and wanted to build a house there. That night, he dreamt of a deity who wore gold armor, carried a golden spear in his left hand and a tower in his right hand, followed by more than ten people.