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Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. [2] [3] Highlife gained popularity and the genre spread throughout West African regions.
The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. [1] [2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. [3] One of the most influential composers and performers of the music is Chief Stephen Osita Osadebe whose career spanned over 40 years. Osadebe ...
Osibisa has been credited with introducing African music to European and North American audiences [10] with their fusion of African and Western music styles. [11] The band's style encompasses elements of rock, progressive rock, acid rock, Latin, jazz, afro-funk, jazz fusion, soul, highlife, reggae, calypso and pop.
There is no talk of money, clothes, women, or inane vanities. This lends a purist quality to the music. The duo seems to have derived some of their philosophy from the music of Oliver De Coque; and even the third song in the album, “Biri” is a sample of Oliver De Coque’s classic “Biri ka m Biri,” a song which espouses the principle of ...
Owerri Bongo (Bongo/Igbo Bongo) is a style of Igbo highlife music that has its origins in the Igbo people of Owerri and spread around all Imo State, which is in eastern Nigeria. The musical style is a sub-genre of Igbo highlife music. [1] Unlike Igbo highlife, which is known for its brass horns and often somber feel.
Highlife (full title Music from the New African Nations featuring the Highlife) is an album by American jazz pianist Randy Weston recorded in 1963 and originally released on the Colpix label. [2]
In the late 1950s he was active in the influential highlife bands the Stargazers and the Broadway Dance Band. In 1962, Taylor took his group, the Black Star Highlife Band, to London. In London, Taylor collaborated with Nigerian afrobeat Initiator Fela Kuti as well as other African musicians in Britain at the time. [2] [3]
Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria. The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [ 1 ]