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Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
On the one hand, there was the threat of unintelligibility, to which his pantomime La Fin de Pierrot (Pierrot's End, 1891) appears to have succumbed. Here, true to the ideals of the avant-garde Symbolists , Pierrot is urged by Hermonthis, a kind of Salomé à la Gustave Moreau , to renounce the pleasures of the senses—all nourishment, love ...
The show included three Pantomimes Illumineuses films, Pauvre Pierrot!, Un bon bock, and Le Clown et ses chiens. Reynaud acted as the projectionist and the show was accompanied by Gaston Paulin on the piano. Paulin had written the music especially for the shows, including a song that he sung as Pierrot's serenade to Colombine in Pauvre Pierrot ...
Pierrot was not Baptiste's only creation. As Robert Storey has pointed out, Deburau performed in many pantomimes unconnected with the commedia dell'arte: . He was probably the student-sailor Blanchot in Jack, l'orang-outang (1836), for example, and the farmhand Cruchon in Le Tonnelier et le somnambule ([The Cooper and the Sleepwalker] late 1838 or early 1839), and the goatherd Mazarillo in Fra ...
Nadar: Charles Deburau as Pierrot, c. 1855. Jean-Charles Deburau (French pronunciation: [ʒɑ̃ ʃaʁl dəbyʁo]; February 15, 1829 – December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film Children of Paradise (1945).
Pauvre Pierrot is also believed to be the first known usage of film perforations. The combined performance of all three films was known as Pantomimes Lumineuses. These were the first animated pictures publicly exhibited by means of picture bands. Reynaud gave the entire presentation himself by manipulating the images. [1]
The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving ...
Nadar: Paul Legrand as Pierrot, c. 1857. Paul Legrand (French pronunciation: [pɔl ləɡʁɑ̃]; January 4, 1816 – April 16, 1898), born Charles-Dominique-Martin Legrand, was a highly regarded and influential French mime who turned the Pierrot of his predecessor, Jean-Gaspard Deburau, into the tearful, sentimental character that is most familiar to post-19th-century admirers of the figure.