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Michael Rees is an American artist practicing sculpture making, installation, animation, and interactive computing.He has exhibited his works widely, including at the Whitney Museum of American Art, New York, NY (1995 Whitney Biennial, 2001 Bitstreams Exhibition); Bitforms gallery, Universal Concepts Unlimited, The Aldrich Museum of Contemporary Art, Ridgefield, CT (Putto Large and Moving 2004 ...
Her sculpture Cyber-chrome Chromosome from 1991 was included in the exhibition From Code to Commodity: Genetics and Visual Art at the New York Academy of Sciences in 2003. [ 17 ] From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show , a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in ...
“Nature In Pieces: The Environmental Sculpture of Christy Rupp,” Ulrich Museum of Art, Wichita State University, 2002 "The Molecular Gaze: Art in the Genetic Age," Suzanne Anker & Dorothy Nelkin, Cold Spring Harbor Laboratory Press, 2003 "City Art: New York's Percent For Art Program," Eleanor Heartney, Merrell, 2005
In 2004, Suzanne Anker and Dorothy Nelkin's The Molecular Gaze also helped establish the integration of molecular biology with artistic practice. [27] [28] In 2015-2016 Amy Karle created Regenerative Reliquary, a sculpture of bio-printed scaffolds for human MSC stem cell culture into bone, in the shape of a human hand form installed in a vessel.
Can't Help Myself was a kinetic sculpture created by Sun Yuan and Peng Yu in 2016. [1] The sculpture consisted of a robotic arm that could move to sweep up red cellulose ether fluid leaking from its inner core, and make dance-like movements. [2] It was commissioned by the Guggenheim museum as part of The Robert. H. N.
30 m Molecule Man sculpture on the Spree River, Berlin, Germany, viewed from Treptowers. [1]Molecule Man is a series of aluminium sculptures, designed by American artist Jonathan Borofsky, installed at various locations around the world, including Germany [1] and the United States. [2]
The sculpture depicts a legless, gray creature with the head of a northern elephant seal, a larval body, and human arms clasped together in front of it. It sits on a waiting room chair, and, according to the sculptor, the figure symbolizes the emotions of people who wait at the doctor 's office.
Snelson was born in Pendleton, Oregon, in 1927.He studied at the University of Oregon in Eugene, at the Black Mountain College, [2] and with Fernand Léger in Paris. His sculpture and photography have been exhibited at over 25 one-man shows in galleries around the world including the structurally seminal Park Place Gallery in New York in the 1960s.