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Parikshit is the son of Abhimanyu and Uttara, and grandson of Arjuna. [15] [16] According to the Shatapatha Brahmana (XIII.5.4), Parikshita had four sons, Janamejaya, Bhimasena, Ugrasena and Śrutasena. All of them performed the Asvamedha Yajna. [17]
Veerabhimanyu revolves around Abhimanyu, a character in the Indian epic Mahabharata.Directed by V. Madhusudhana Rao and produced by Sunderlal Nahta and Dhoondeswara Rao under the banner Rajalakshmi Productions, it was simultaneously produced in Telugu and Tamil languages, the latter as Veera Abhimanyu, which featured a largely different cast. [1]
Arjuna's son Abhimanyu wishes to convey the same to the Pandavas and Krishna reluctantly agrees. Before sending him to Matsya, Krishna warns Abhimanyu not to reveal his real identity. Abhimanyu falls in love with Virata's daughter Uttara but does not reveal any details of his. Bruhannala, who teaches dance to Uttara, learns this and is happy.
Uttarā (Sanskrit: उत्तरा, romanized: Uttarā) was the princess of Matsya, as described in the Hindu epic Mahabharata.She was the daughter of King Virata and Queen Sudeshna, at whose court the Pandavas spent a year in concealment during their exile.
Veera Abhimanyu is a 1965 Indian Tamil-language Hindu mythological film directed by V. Madhusudhana Rao and produced by Sunderlal Nahta and Doondi. Based on Abhimanyu , a character from the Indian epic Mahabharata , the film stars Gemini Ganesan leading an ensemble cast , including A. V. M. Rajan portraying the title character.
Abhimanyu (Sanskrit: अभिमन्यु, IAST: Abhimanyu) is a warrior in the Hindu epic Mahābhārata. He was a young and valiant warrior of the Kuru lineage, born to Arjuna —the third Pandava brother—and Subhadra —the sister of the deities Krishna and Balarama .
Arjuna took Uttara away from the army to the forest where he had kept his divine bow, Gandiva, and revealed his identity to Uttara. He then fought Kaurava army and single-handedly defeated them including warriors like Bheeshma, Drona, Ashwatthama, Karna, Duryodhana etc.
The Hindu film critic M. L. Narasimham wrote: "Though there were several movie versions in various Indian languages, the 1957 Vijaya Productions' Mayabazar is still considered the best for its all round excellence". [12] According to The Times of India, "With a powerful cast and a strong script, this movie is a stealer. Savitri, NTR [N. T. Rama ...