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Vertical, metal furring is applied to the wall to create a channel and receive the siding material. In construction, furring (furring strips) are strips of wood or other material applied to a structure to level or raise the surface, to prevent dampness, to make space for insulation, to level and resurface ceilings or walls, [1] or to increase the beam of a wooden ship.
The exterior of the A.O. Smith Corporation Building in Milwaukee was clad entirely in aluminium by 1930, and 3-foot-square (0.91 m) siding panels of Duralumin sheet from Alcoa sheathed an experimental exhibit house for the Architectural League of New York in 1931. Most architectural applications of aluminium in the 1930s were on a monumental ...
Whether constructed with a metal frame or a traditional post-frame, they are commonly labeled as barndominiums, emphasizing the style and feel over construction method. [9] Much like colonial , modern , or craftsman style homes, barndominium seems to have earned its place as another distinct category among architectural styles .
Paint remover is applied to an aircraft's landing gear during an inspection looking for cracks in the aluminum. Paint stripper or paint remover is a chemical product designed to remove paint, finishes, and coatings, while also cleaning the underlying surface. Chemical paint removers are advantageous because they act on any kind of geometry and ...
Strip linings can be added to reinforce the margins of a painting. This practice is important as the margins of a painting are often more damaged than the rest of the canvas. [2] Strip linings strengthen the edges of the canvas so that they can withstand re-stretching. Both strip lining and patching are less invasive than lining.
The recommended handling method for panel paintings is similar to that of canvas and other two-dimensional works. Conservators are the only persons that should touch the front or back of a painting. The panel should be held by the edges using nitrile gloves and carried with two hands or in tandem by two people, depending on size.
Schwartzbaum et al. liken the removal of a fresco to the transfer of a panel painting, in that it is generally considered undesirable except as a last resort. "Strappo" involves the removal of only the uppermost pigment-bearing layer; "stacco" is the removal of the fresco and its plaster preparation; "stacco a massello" is the removal of the ...
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...