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Jesus' Blood Never Failed Me Yet is a 1971 composition by Gavin Bryars based on a loop of an unknown homeless man singing a brief improvised stanza. [ 1 ] [ 2 ] Rich harmonies, comprising string and brass , are gradually overlaid over the stanza.
"Broken English" is a mid-tempo rock song with a strong influence from new wave.The song is set in the simple time signature of 4/4, with a tempo of 122 beats per minute. It is built around a simple rhythm guitar motif and synthesizer effects.
Broken English was a radical departure, featuring a contemporary fusion of punk, new wave and dance, with liberal use of synthesizers. After years of cigarette smoking and drug use, Faithfull's voice was in a lower register, far raspier, and had a more world-weary quality than in the past that matched the often raw emotions expressed in the ...
It comes up so often in the New Testament stories about Jesus touching people's eyes and healing them, or touching people's lives and changing them. It's a special, spiritual word and you ought to write a song that praises His touch." So Gaither did. That week, Dr. Oldham's son Doug Oldham began singing it in the
The song was recorded by the English singer Marianne Faithfull for her 1979 album Broken English. This version was released as a single, on the Island label, in October 1979, and became one of her highest-charting songs. It is featured on the soundtracks to the films Montenegro, Tarnation and Thelma & Louise.
She has recorded more than 15 albums, [10] including the CDs "Let Me Tell You About Jesus" [7] and "Faithful". [11] Sue's latest project "Then Sings My Soul" was released in 2022, she describes it as an eclectic collection of some her favorite songs. In 2023 Sue was inducted into the Southern Gospel Music Hall of Fame.
Like all the singles from We Can't Dance, "Jesus He Knows Me" was released on two CDs as well as on vinyl editions. All formats featured the non-album track "Hearts on Fire" (later included on Genesis Archive 2: 1976–1992) as the primary B-side, while both CDs included an exclusive track.
In Bach's church cantatas the vox Christi may utter either literal words from the Bible which are neither direct quotes of or even attributed to Christ but are presented in the context of the musical work as being made by Christ, or extra-biblical words, for example in a dialogue between the Bridegroom (Christ) and the Bride (the Soul), or in an address to the Bride.