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The account of Dhanurasana in the 15th century Hatha Yoga Pradipika is ambiguous about whether the pose is reclining or sitting, stating [1] Having held the big toes of both feet with both hands, one should pull [them] like a bow as far as the ears. This is called bow pose. (HYP 1.25) The 17th century Gheranda Samhita is similarly ambiguous ...
The pose is often chosen by yoga practitioners who wish to advertise themselves: the Welsh author Holly Williams, writing about the commercialisation of yoga in The Independent, commented that she had "unfollowed [several] people on Instagram whose artful shots of their Lycra-clad one-legged wheel poses come with a barrage of hashtags (#fitspo ...
A bow draw in archery is the method or technique of pulling back the bowstring [1] to store energy for the bow to shoot an arrow. The most common method [citation needed] in modern target archery is the Mediterranean draw, which has long been the usual method in European archery. Other methods include the pinch draw and the Mongolian or "thumb ...
Pose implies an artistic, aesthetic, athletic, or spiritual intention of the position. Attitude refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." [2]
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
A profound bow is a deep bow from the waist, and is often done as a substitution for genuflection. In Eastern Orthodoxy, there are several degrees of bowing, each with a different meaning. Strict rules exist as to which type of a bow should be used at any particular time. The rules are complicated and are not always carried out in all parishes.
The Peplos Kore has 35 bore holes in two rows around her head and one bore hole in her right hand, which suggests she may have worn a rayed crown or a helmet and held attributes such as a bow and arrows or a shield. [8] The reconstructions of the Peplos Kore displayed in the Gods in Colour exhibition, for example, illustrate such possibilities. [9]
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.