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"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [ 1 ] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
Schlegel wrote "Jesus Christus, Menschensohn" as a three-fold call to the Jesus, like the liturgical Kyrie, addressed as the Son of man. [3] The first stanza requests enlightenment to see God face to face. The second stanza recalls that Jesus carried on the Cross what we suffer. The third stanza requests that Jesus, called ("gerufen") from ...
"Alas! and Did My Saviour Bleed" is a hymn by Isaac Watts, first published in 1707. The words describe the crucifixion of Jesus and reflect on an appropriate personal response to this event. The hymn is commonly sung with a refrain added in 1885 by Ralph E. Hudson; when this refrain is used, the hymn is sometimes known as "At the Cross". The ...
The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's Neues vollkömmliches Gesangbuch Augsburgischer Confession. [1] [3]The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, [4] two movements of the St John Passion, and three of the St Matthew Passion.
The overall focus of the hymn is drawn from Matthew 28:5–6 where Mary Magdalene and the other Mary is told by an angel of Jesus' resurrection. [3] The wording as well as the "Alleluias" are drawn from the Book of Psalms with a number of Psalms being used including Psalms 106 , 111 , 112 , 113 , 117 and 135 . [ 5 ]
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
Rocky Logan reviews Greatest Hymns, Vol. 2 for Absolutely Gospel and gives it 4 out of a possible 5 stars. He writes, "Another great group of songs from one the very best at capturing the enduring spirit of the past and weaving it in with the present."
In early editions the hymn, in seven stanzas, was indicated as an improved (German: gebessert) version of "Christ ist erstanden". [1] The hymn is in bar form.The Stollen, that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody.