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The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1] The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
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The embroidery tells the story of Operation Overlord, which was the code name for the Allied invasion of Normandy in June 1944. [3] The narrative begins well before the invasion, with war-time production and The Blitz. It continues through the entry of the United States into the war, and the planning and preparation of the invasion.
Each tapestry focussed on a single county and the area of tapestry around that county boundary was filled in with details taken from the appropriate adjoining Saxton county maps. To enable the central county to stand out on each tapestry, it was given a pale background and a red border, while the backgrounds of neighbouring counties were woven ...
By 1776, aged 29, he had completed five tapestries, by the Real Fábrica de Tapices de Santa Bárbara, the royal tapestry manufactory. His brother-in-law Francisco Bayeu was made director of the tapestry works in 1777, which greatly advanced the ambitious artist's career prospects. [ 5 ]