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The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.
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The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1] The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
Tapestries at Stirling included eight pieces of the Judgement of Paris, four pieces of the Hunt of the Unicorn, four or five pieces of Roboam, five pieces of the "Triumph of Verity", four pieces of the Count of Ravenna, four pieces of the History of Aeneas, a piece of the Story of Tobit, and a hanging with the arms of the Dukes of Longueville ...
The tapestry was designed by Andrew Crummy, son of Helen Crummy, who had previously designed the Battle of Prestonpans Tapestry and later the Scottish Diaspora Tapestry.It implements an idea of Scottish author Alexander McCall Smith for a grand tapestry to depict episodes from 12,000 years of the history of Scotland, after he had seen the Prestonpans Tapestry.
All in all, the tapestry took four years to realise, including two years' work by three weavers at Morris's Merton Abbey Mills. The tapestry was completed in February 1890 and displayed in Morris & Co.'s Oxford Street showroom in London that Easter before being presented to Exeter College.