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It is the fourth poem of the section "Tableaux Parisiens", and the first in a series of three poems dedicated to Victor Hugo. It is the second poem of the section named after one of its characters. The Swan is also the only poem of this section to feature a titular non-human protagonist. [1]
"Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo.
Leda and the Swan, Roman marble possibly reflecting a lost work by Timotheos from the 300s BCE. More than two dozen examples of this statue survive. restored ()The historian Procopius claims, in his Secret History, that the Roman Empress Theodora acted in a reproduction of this particular myth at some point in her youth in the early sixth century CE prior to her becoming the empress.
Hughes explaining Flint's form is best understood 'by comparing his poem ' A Swan Song'(Published in 1909 and later by Pound in 1914 in 'Des Imagistes') and, his later 'cadenced ' version thereof, ' The Swan', a poem so devoid of superfluities and cliches, to achieve that perfect chiseled beauty which is the essence of classical art' [5]
Other poets who have taken inspiration from the legend include Alfred, Lord Tennyson, whose poem "The Dying Swan" is a poetic evocation of the "wild swan's death-hymn"; [19] [2] Thomas Sturge Moore's poem of the same name; [2] and Samuel Taylor Coleridge, who quipped: "Swans sing before they die— 't were no bad thing / Should certain persons ...
The Carnival of the Animals (French: Le Carnaval des animaux) is a humorous musical suite of 14 movements, including "The Swan", by the French composer Camille Saint-Saëns. About 25 minutes in duration, it was written for private performance by two pianos and chamber ensemble; Saint-Saëns prohibited public performance of the work during his ...
The Swan Sequence (incipit: Clangam, filii "I shall cry out, my sons") [a] is an anonymous Carolingian-Aquitainian Latin poem sequence first written around 850. [1] Its melody, Planctus cygni [ b ] ("Swan's Lament"), was popular for some two centuries after its composition.
Anna Seward [3] (12 December 1742 [notes 1] [4] [5] [notes 2] – 25 March 1809) was an English Romantic poet, often called the Swan of Lichfield. She benefited from her father's progressive views on female education .