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Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
A photograph of a neighborhood watch sign is the foreground color while the rest of the image is the background color. [1] In the document-scanning industry, this is often referred to as "bi-tonal". A binary image is a digital image that consists of pixels that can have one of exactly two colors, usually black and white.
Bright-field microscopy is the simplest of a range of techniques used for illumination of samples in light microscopes, and its simplicity makes it a popular technique. The typical appearance of a bright-field microscopy image is a dark sample on a bright background, hence the name.
Monochrome photography is photography where each position on an image can record and show a different amount of light (), but not a different color ().The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
Colors often considered "shades of black" include onyx, black olive, charcoal, and jet. These colors may be considered for part of a neutral color scheme, usually in interior design as a part of a background for brighter colors. Black and dark gray colors are powerful accent colors that suggest weight, dignity, formality, and solemnity. [1]
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However, the brain undergoes deeper processing to resolve the ambiguity. For example, consider an image that involves an opposite change in magnitude of luminance between the object and the background (e.g. From the top, the background shifts from black to white, and the object shifts from white to black).