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Raaga Series – Raagam Thodi is a Carnatic classical music album, a garland kritis presented by Dr. K. J. Yesudas.. Album begins with the kriti Swami Unnai, followed by a Muthuswami Dikshitar composition Mahaganapathim.
Dikshitar composed Vatapi Ganapatim in Hamsadhvani raga (musical mode) of Carnatic music, which was created by his father Ramaswami Dikshitar (1735–1817) in 1790. [6] [7] The hymn is the only piece of Muthuswami Dikshitar in this raga; Muthuswami generally preferred "more traditional – and usually more complex -" Carnatic ragas. Ramaswami's ...
Gopalnath had to make certain modifications to the conventional alto saxophone to play Carnatic music. So successful was this adaptation that the great musician Semmangudi Srinivasa Iyer, the doyen of Carnatic music, acknowledged Kadri Gopalnath as a true Carnatic music genius. His maiden live performance was for the Chembai Memorial Trust.
The Kamalamba Navavarana Kritis by Shri Muthuswami Dikshitar (1776-1836) are some of the most famous pieces of music in the Carnatic system of Indian classical music.They are treasures which embody not only the technical brilliance of the composer but also offer a peep into the advaitic school of Hindu philosophy and elements of Tantric rituals.
Carnatic music or Karnataka Sangita (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
Muthuswami Dikshita (IAST: Muttusvāmi Dīkṣita, 24 March 1775 – 21 October 1835) or Dikshitar was a South Indian poet and composer and is one of the musical trinity of Carnatic music. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing ...
The Pancharatna kritis were written in praise of the Hindu deity Rama.They are set to Adi Tala and each raga represents the mood of the song and the meaning of its lyrics. All the kritis were composed in the style of a Ragam Tanam Pallavi (RTP) with the charanams (stanzas) substituting for the kalpana swaras (improvisatory passages) in the pallavi section of the RTP.
Vasantha (pronounced vasantā) is a raga in Carnatic music (musical scale of South Indian classical music). It is a janya raga of Suryakantam , the 17th Melakarta raga. [ 1 ] According to P|Subba Rao, majority opinion is that the raga is derived from Mayamalavagowla , the 15th Melakarta raga.