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Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Chant des Soleils, for SATB chorus, children's choir, brass ensemble and percussion (1983) ... Untitled piece for piano (15 June 1950) Andante, for piano;
SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
Blessed are the Dead − motet for double choir SATB.SATB unaccompanied (1920; unfinished - completed by Patrick Russill) A Golden Lullaby − Unison song for voices and piano (1920) Sing lullaby for SATB unaccompanied (1920) O Lord, Who Createst Man − 3-part song for female voices and piano (1923) When First Thine Eyes Unveil for SATB ...
Angels' Carol is a popular sacred choral piece by John Rutter for Christmas. He wrote his own text, beginning "Have you heard the sound of the angel voices", [1] three stanzas with the refrain "Gloria in excelsis Deo". It has been part of recordings of collections of Christmas music, including one conducted by the composer.
SATB and piano; text based on love songs by American woman poets. May Sky (1997) SATB divisi, a cappella; text by Tokuji Hirai, Neiji Ozawa, Reiko Gomyo, and Suiko Matsushita. Reasons for Loving Harmonica (1997) SATB and piano; text by Julie Kane. Density of Light (1998) SATB, treble choir, brass; text by Thomas H. Troeger. Ring the Bells (1998)