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cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
When First Thine Eyes Unveil for SATB & Organ (1925) My Eyes For Beauty Pine for SATB & Organ (1925) Tune thy Music − Unison song for voices and piano (1927) Requiem for SATB unaccompanied; words from various sources. (1932; publ. 1981) O Pray for the Peace of Jerusalem for SATB & Organ (1941) We have heard with our ears for SATB & Organ (1941)
In addition to his own compositions he made transcriptions of Elizabethan and Jacobean vocal solo, choral, and instrumental works, and prepared an edition of Henry Purcell's string fantasias. [1] [2] For choral works the acronym "SATB" (Soprano-Alto-Tenor-Bass) has been used to indicate the voice composition of the work.
SATB and piano; text based on love songs by American woman poets. May Sky (1997) SATB divisi, a cappella; text by Tokuji Hirai, Neiji Ozawa, Reiko Gomyo, and Suiko Matsushita. Reasons for Loving Harmonica (1997) SATB and piano; text by Julie Kane. Density of Light (1998) SATB, treble choir, brass; text by Thomas H. Troeger. Ring the Bells (1998)
voice and piano, unpub. 'The Music composed & dedicated to my sister Lucy' [66] The Poetry by Percival [67] MS 1872: Chantant: keyboard: piano solo — — MS 1872: Gloria: church: for choir and organ, arr. using the piano part of the Allegro from Violin Sonata in F, K.547 — — MS 1873: Credo: arrangement: choir and organ, themes from ...