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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
The burned out candle could symbolize van Gogh's father's death or it could represent Vincent's disenchantment with traditional faith. [13] Still-Life with Straw Hat and another painting of this period, Still-life with Earthen Pot and Clogs, are regarded by critics and writers for their technical mastery. Both are characterized by smooth ...
Still Life Paintings from the Netherlands 1550–1720, (Dutch:Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000).
Manet's Bunch of Asparagus shows a motif based on traditional still life painting. In the center of the picture lies a bunch of white asparagus stalks in the bright light. The view goes from the side to the bunch of asparagus, whose violet tips are aligned to the right edge of the picture.
Still Life - Balsam Apples and Vegetables; Still Life (Braque, 1911) Still Life of a Lamb's Head and Flanks; Still Life of Fruit and Dead Fowl; Still Life of Fruit, Dead Birds, and a Monkey; Still Life with a Chinese Porcelain Jar; Still Life with a Guitar; Still Life with a Parrot; Still Life with a Peacock; Still Life with a Poem; Still Life ...
Still Life with Books is an oil-on-panel, with dimensions of 91 cm (36 in) × 120 cm (47 in). It is in the style of Spanish vanitas paintings. [ 1 ] The idea of this style of painting was to show possessions and wealth are fleeting and mean nothing when one is faced with death. [ 6 ]
Measuring 228.6 cm × 172.7 cm (90 in × 68 in), Still Life with Lemons represented a take on still life from the Cubist perspective, with Lichtenstein using many favorite Cubist motifs: "...pitcher, bowl of fruit, and faux wood grain - with some of his own, such as sections of the primary colors red, yellow, and blue, portions of an ...
Louise Moillon (c. 1610–1696) was a French still life painter in the Baroque era. [1] It is recorded that she became known as one of the best still life painters of her time, as her work was purchased by King Charles I of England, as well as French nobility. [2]