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This is the first woodcut produced by Baldung after leaving the studio of his mentor, Albrecht Dürer, and one of the first Renaissance images to depict both witches that fly and a Witches' Sabbath. Surrounded by human bones and animal familiars, a group of witches engage in naked revelry as they soar through the air and prepare food for the ...
Download as PDF; Printable version; ... The Witches (Hans Baldung) ... Anti-Nazi woodcut by Heinz Kiwitz 1933.jpg 285 × 348; 38 KB
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, [a] (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.
The Freiburg Altarpiece is an oil on wood panel altarpiece, created for the high altar of Frieburg Minster by the German Renaissance painter and printmaker, Hans Baldung Grien. [1] [2] The altarpiece is a polyptych with eleven panels created by Baldung and members of his studio. Baldung lived in Freiburg from 1512 to 1517 as he worked on the ...
The Witches by Hans Baldung (woodcut), 1508. The most common meaning of "witchcraft" worldwide is the use of harmful magic. [18] Belief in malevolent magic and the concept of witchcraft has lasted throughout recorded history and has been found in cultures worldwide, regardless of development.
The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
The Seven Ages of Woman is a painting (1544) by the German painter Hans Baldung, called Grien, executed in oil paint on linden wood. [1] It is part of the collection of the Museum der bildenden Künste in Leipzig, Germany.
The Witches' Sabbath by Hans Baldung (woodcut), 1508. Writer Chris Fujiwara notes the way in which the film "places together, on the same level of cinematic depiction, fact and fiction, objective reality and hallucination."