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Its vitality and flexibility allow original corrido lyrics to be built on non-Mexican musical genres, such as blues and ska, or with non-Spanish lyrics, like the famous song El Paso by Marty Robbins, and corridos composed or translated by Mexican indigenous communities or by the "Chicano" people in the United States, in English or "Spanglish ...
"La Adelita" is one of the most famous corridos of the Mexican Revolution. Over the years, it has had many adaptations. The ballad was inspired by Adela Velarde Pérez, a Chihuahuense woman who joined the Maderista movement in the early stages of the revolution and fell in love with Madero. She became a popular icon and a symbol of the role of ...
View a machine-translated version of the Spanish article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Corridos Tumbados, an extension of Narcocorridos, takes on the genre's principles with an influence of rap and trap, touching on topics like drug violence, social issues, and sexualization.
"Corrido de la Cucaracha", lithograph (published in 1915) by Antonio Vanegas Arroyo. La Cucaracha (Spanish pronunciation: [la kukaˈɾatʃa], "The Cockroach") is a popular folk song about a cockroach who cannot walk. The song's origins are Spanish, [1] but it became popular in the 1910s during the Mexican Revolution. [2]
Since 2015, Fuerza Regida has been one of the hardest-working acts in música Mexicana. With "Pero No Te Enamores," the band's eighth studio album, it's evolving the genre.
"Rompe la Dompe" is a corrido tumbado. [2] The song's title is a shortened way of saying "Rompe la Dom Pérignon", which refers to opening a bottle of the Champagne; it is used throughout the song. [3] The lyrics also talk about having a party, trying to forget about an ex-lover. [4] [5]
"Modo Capone" is a song of the corridos tumbados subgenre. [4] On the near end of the song, it transitions into a hip hop beat, which features hi-hats and a synth line. [ 5 ] Drake, lyrically, sings about money, wearing jewelry and fleeing to Toronto with a woman.