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The Osage Indians and other tribes traveled among a variety of routes later named "Osage Trails" by European settlers; the famous Route 66 through southern Missouri Ozarks follows the route of one such "Osage Trail" and U.S. Route 24 through central Missouri follows the route (from Franklin, Missouri westward) of the "Great Osage Trail", which ...
Grand Pass was named from the Great Osage Trail that passed through the town. [4]In 1943, German and Italian prisoners of World War II were brought to Missouri and other Midwest states as a means of solving the labor shortage caused by American men serving in the war effort.
One of these families was John Bender and John Bender Jr., who registered 160 acres (65 ha) of land located adjacent to the Great Osage Trail, the only open road for traveling farther west. After a cabin, a barn with a corral, and a well were built, Elvira and Kate arrived in the fall of 1871.
The Osage Village State Historic Site is a publicly owned property in Vernon County, Missouri, maintained by the Missouri Department of Natural Resources. The historic site preserves the archaeological site of a major Osage village, that once had some 200 lodges housing 2,000 to 3,000 people. [ 4 ]
Wide enough for eight horsemen to ride abreast, the trail was the first improved road in Kansas and Oklahoma. [8] The band had a village known as Pasuga, "Big Cedar", built on an earthwork mound near what later developed as Claremore, Oklahoma. Osage tradition credits Black Dog I with having constructed a cave near his village on Claremore Mound.
Clark's Hill/Norton State Historic Site is located on the eastern edge of Jefferson City Missouri, United States. [4] The park preserves one of the campsites used by the Lewis and Clark Expedition as well as a lookout point from which William Clark viewed the confluence of the Osage and Missouri rivers.
John Joseph Mathews (Osage), set his novel Sundown (1934) in the period of the murders. [19] "The Osage Indian Murders", a dramatization of the case first broadcast on August 3, 1935, was the third episode of the radio series G-Men, created and produced by Phillips Lord with cooperation of the FBI. [61] [62]
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