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The purpose of the inner layer is to draw sweat away from the skin to the outer layers to make them feel warmer. If a piece of clothing does not transfer moisture well, it is not strictly an inner layer garment but simply a mid-layer garment. Wool has a combination of wicking and water-repelling properties [1] and is highly odour-resistant. [2]
After around 500 AD, women's clothing moved towards layered tunics. In the territories of the Franks and their eventual client tribes the Alemanni and Bavarii, as well as in East Kent, women wore a long tunic as an inner layer and a long coat, closed in the front with multiple brooches and a belt, as an outer layer. [10]
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
Upper-class women, who did not need to work, often wore a tightly laced corset over a bodice or chemisette, and paired them with a skirt adorned with numerous embroideries and trims; over layers of petticoats. Middle-class women exhibited similar dress styles; however, the decorations were not as extravagant. The layering of these garments make ...
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
Fur was worn, mostly as a lining layer, by those who could afford it. The grey and white squirrel furs of the Middle Ages, vair and miniver, went out of style except at court, first for men and then for women; the new fashionable furs were dark brown sable and marten. Toward the end of the 15th century, wild animal furs such as lynx became ...