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Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. ... formerly assumed to be the only one used for faience glazing; silica, lime and alkalis ...
Egyptian faience pottery (as opposed to modern faience) was made from fired earthenware colored with a glaze. The art style was popular in the Third Intermediate Period (c. 1069 BC – c. 664 BC) of Egyptian history. Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze ...
Historically, glazing of ceramics developed rather slowly, as appropriate materials needed to be discovered, and also firing technology able to reliably reach the necessary temperatures was needed. Glazes first appeared on stone materials in the 4th millennium BC, and Ancient Egyptian faience ( fritware rather than a clay-based material) was ...
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The place of production of the vase is under discussion. The object appears on the first view as fully Egyptian. The hieroglyphs are readable. However, some researchers regard the vase as a product of a Phoenician workshop, since it is known that the Phoenicians often produced objects in Egyptian style. [3]
Egyptian faience is not really faience, or pottery, at all, but made of a vitreous frit, and so closer to glass. In English 19th-century usage "faience" was often used to describe "any earthenware with relief modelling decorated with coloured glazes", [ 1 ] including much glazed architectural terracotta and Victorian majolica , adding a further ...
Related to glass insofar as it attains a "vitreous" appearance, Egyptian faience was, according to David F. Grose, "a material made from powdered quartz covered with a true vitreous coating." Significantly more porous and malleable than glass proper, faience could be shaped by hand or cast in molds to create vessels or other objects. [4]
Glazed Egyptian faience dates to the third millennium BCE), with painted but unglazed pottery used even earlier during the predynastic Naqada culture. Faience became sophisticated and produced on a large scale, using moulds as well modelling, and later also throwing on the wheel. Several methods of glazing were developed, but colours remained ...