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Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
In all versions of the myth, Cheongjeong-gaksi undergoes excruciating torment. Yet no matter her pain, she cannot be reunited with her husband so long as she is alive and he is dead. This divide is referenced explicitly by her husband's soul in many versions, as in the conclusion of the 1966 transcript: [43] "Oh, it's still far away.
A great sense of uncertainty looms when families must decide how — and if — to host a wedding after someone dies. Grief and stress are often compounded by societal expectations.
In Memoriam was a favourite poem of Queen Victoria, who after the death of her husband, the Prince Consort Albert, was "soothed & pleased" by the feelings explored in Tennyson's poem. [15] In 1862 and in 1883, Queen Victoria met Tennyson to tell him she much liked his poetry. [16]
The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse, expression of the shepherd's, or poet's, grief, praise of the deceased, a tirade against death, a detailing of the ...
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
For herself, however, the journey of marrying, divorcing, becoming a mother and losing her husband Richard Medley as a result of liver failure in 2011 is one that she'd had yet to fully reflect on ...
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