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Javanese dance is usually associated with courtly, refined, and sophisticated culture of the Javanese kratons, such as the bedhaya and srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers, such as ronggeng, tayub, reog, and jaran kepang. Javanese dance and its discipline has ...
Bedhaya dance performance at the wedding of Hoesein Djajadiningrat and Partini in the palace of Prang Wedono (Mangkoe Negoro VII), the father of the bride, at Solo, Java, in January 1921. The dance is held in a pendhapa, a pillared audience hall with a peaked roof, with the Susuhunan on a throne in the middle of the room. The dance is performed ...
Ronggeng dance (Jakarta, Central Java and East Java), a type of Javanese dance in which couples exchange poetic verses as they dance to the music of a rebab, violin and gong. Rudat dance ( West Nusa Tenggara ), a traditional dance of Sasak people, demonstrates pancak silat martial art movements.
Bambangan Cakil (from Javanese ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of Central Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Kuda Lumping (Javanese: ꦗꦫꦤ꧀ꦏꦺꦥꦁ, Jaran Kepang or Jathilan, Indonesian: Kuda Lumping or Kuda Kepang, English: Flat Horse) is a traditional Javanese dance originated from Ponorogo, East Java, Indonesia depicting a group of horsemen. Dancers "ride" horses made from woven bamboo and decorated with colorful paints and cloth.
Actually, the Lengger dance is performed by men but is dressed like a woman. So as if the dance was performed by women. The Lengger Lanang dance is thought to have appeared in Banyumas in the 18th century. At that time Mangkunegara VII ordered three writers to travel to Java. Then write about the life of the Javanese people at that time.
The srimpi dance is one of the classical dances of Central Java. [ 1 ] [ 2 ] Along with the bedhaya , srimpi epitomised the elegant ( Javanese : alus ) character of the royal Javanese court, becoming a symbol of the ruler's power as well as the refinement of Javanese culture .
The dance also blends classical Surakarta-style dance and folk dance, incorporating many movements from the Prajuritan dance. The accompanying music uses Javanese gamelan in the pelog scale, including instruments such as gender, kendhang, demung, saron, kenong, kempul, and gong, while the musical compositions feature lancaran, srepeg, and ...