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Pandav Lila or Pandav Nritya (Sanskrit; literally "play of the Pandavas" and "dance of the Pandavas" respectively) is a ritual re-enactment of stories from the Hindu epic Mahabharata, through singing, dancing and recitation, that is practised in the Garhwal region of Uttarakhand, India.
The lead singer continuously interacts with the accompanying singers, who ask questions, give commentary and interjections; thus enhancing the dramatic effect of the performance. The performance can last for several hours on a single episode of Mahabharata. What starts out as a simple story narration turns into full-fledged ballad.
The earliest mention of Kathak as an art form is found in the Arjuna-Vanavasa chapter of the Aadi-Parva of Mahabharata. In its initial phase, Kathak is regarded to have been a mimetic representation of Puranic literature accompanied with dance. Kathakas were Granthikas reciting stories related to Vishnu. When Krishna was identified with Vishnu ...
Chaitanya Mahaprabhu's mode of worshipping Krishna with bhajan-kirtan and dance had a profound effect on Vaishnavism in Bengal. He is considered the chief proponent of the Vedantic philosophy of Achintya Bheda Abheda. However, the concept of inconceivable difference in non-difference, known as achintya-bhedabheda, was developed later by Jiva ...
The Bhagavad Gita (/ ˈ b ʌ ɡ ə v ə d ˈ ɡ iː t ɑː /; [1] Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), [a] often referred to as the Gita (IAST: gītā), is a Hindu scripture, dated to the second or first century BCE, [7] which forms part of the epic Mahabharata.
Mahabharata Manuscript illustration of the Battle of Kurukshetra Information Religion Hinduism Author Vyasa Language Sanskrit Period Principally compiled in 3rd century BCE–4th century CE Chapters 18 Parvas Verses 200,000 Full text Mahabharata at Sanskrit Wikisource Mahabharata at English Wikisource Part of a series on Hindu scriptures and texts Shruti Smriti List Vedas Rigveda Samaveda ...
Indian dance (nritta, नृत्त) traditions, states Daniel Meyer-Dinkgräfe, have roots in the aesthetics of Natyashastra. [1] [84] The text defines the basic dance unit to be a karana, which is a specific combination of the hands and feet integrated with specific body posture and gait (sthana and chari respectively).
According to Max Muller, though similar, given the evidence and the details of their respective theories, it is impossible to state either. [ 15 ] Anugita is generally believed by scholars to be likely a much later addition to the Mahabharata , than the ancient Bhagavad Gita , and that the teachings between the two texts are quite different in ...