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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Sallman is also well known for his rendition of the popular image Christ at Heart's Door. Other popular images produced from 1942 to 1950 include Christ in Gethsemane, The Lord is My Shepherd, and Christ Our Pilot. The vast collection of his original works, including Head of Christ, is owned by Anderson University.
Christ Asleep during the Tempest; Christ at the home of Mary and Martha; Christ at the Sea of Galilee; Christ Bearing the Soul of the Virgin; Christ Blessing (Bellini, 1500) Christ Blessing (Raphael) Christ Blessing the Children; Christ Blessing the Children (Lucas Cranach the Elder) The Christ Child and the Infant John the Baptist with a Shell
Sallman’s charcoal sketch, which he later adapted into an oil painting of a light-haired, blue-eyed Jesus with Nordic features (Sallman was the son of Scandinavian immigrants) is a prime example ...
In addition, several religious magazines have explained the "power of Sallman's picture" by documenting occurrences such as headhunters letting go of a businessman and fleeing after seeing the image, a "thief who aborted his misdeed when he saw the Head of Christ on a living room wall", and deathbed conversions of non-believers to Christianity ...
Head of Christ is a 1940 portrait painting of Jesus by Warner Sallman. Head of Christ may also refer to: Head of Christ, an alabaster sculpture of c. 1352 in the Museu Nacional d'Art de Catalunya, Barcelona; Head of Christ, a painting of 1521 in the Getty Museum, Los Angeles; Head of Christ, a chalk and pastel study of c. 1494 in the Pinacoteca ...
Head of Christ by Warner Sallman (1941) is the most widely reproduced image of Jesus, despite the fact that he was a Hebrew man from the Middle East. Whitewashing in art is the practice of altering the racial identity of historical and mythological figures in art as a part of a larger pattern of erasing and distorting the histories and contributions of non-whites.
Today about a dozen are known. This one came into the collection via the John G. Johnson bequest. This face of Christ relates very closely to depictions found in two prints by Rembrandt that portray Christ preaching to an attentive audience. [1] This painting was documented by Hofstede de Groot in 1914, who wrote; "163. HEAD OF CHRIST.